Each season SHAG presents different exhibitions with artists, activists, and changemakers who are pioneering new ideas about justice and representation.

2026 Pioneer Works Exhibition

Barnett Cohen — 34°4’21 / 118°32’33 — Barnett Cohen34°4’21 / 118°32’33, 2024Digital media, gold mirror acrylic sheet55 × 48 in$14,000

Barnett Cohen — 39°35’85” / 120°12’97” — Barnett Cohen39°35’85” / 120°12’97”, 2024Digital media, gold mirror acrylic sheet48 × 55 in$14,000

Barnett Cohen — 36.4341 / 28.2176 — Barnett Cohen36.4341 / 28.2176, 2025Digital media, mirror acrylic sheet22 × 14 in$8,000

Barnett Cohen — 47.41.8995 / 04.413666 — Barnett Cohen47.41.8995 / 04.413666, 2026Digital media, mirror acrylic sheet22 × 15 in$8,000

Barnett Cohen — 34° 39’ 49.3 / 79° 3’ 43.49 — Barnett Cohen34° 39’ 49.3 / 79° 3’ 43.49, 2025Digital media, mirror acrylic sheet22 × 15 in$8,000

Jen DeLuna — To Bare Teeth — Jen DeLunaTo Bare Teeth, 2024Oil on canvas24 × 18 in$5,500

Jen DeLuna — In Intimate Detail — Jen DeLunaIn Intimate Detail, 2025Oil on canvas11 × 14 in$2,500

Jen DeLuna — Untitled (Woman in Pink) — Jen DeLunaUntitled (Woman in Pink), 2025Oil on canvas24 × 18 in$5,500

Jen DeLuna — Untitled — Jen DeLunaUntitled, 2025Oil on canvas12 × 12 in$2,200

Dave Kim The Potter — Untitled White Moon Jar 2 — Dave Kim The PotterUntitled White Moon Jar 2, 2025Ceramicapprox. 20 × 20 × 20 in$3,000

Dave Kim The Potter — Untitled White Moon Jar 1 — Dave Kim The PotterUntitled White Moon Jar 1, 2025Ceramicapprox. 18 × 18 × 18 in$2,000

Dave Kim The Potter — Untitled Pink Moon Jar — Dave Kim The PotterUntitled Pink Moon Jar, 2025Ceramicapprox. 14 × 14 × 14 in$1,500

Le’Andra LeSeur — 32°22’ 59.40” N 81°11’ 26.40” W (Study 1) — Le’Andra LeSeur32°22’ 59.40” N 81°11’ 26.40” W (Study 1), 2026Cyanotype and Van Dyke on cotton paper, unique15⅞ × 13 × ½ in (framed)$6,500

Le’Andra LeSeur — 32°22’ 59.40” N 81°11’ 26.40” W (Study 2) — Le’Andra LeSeur32°22’ 59.40” N 81°11’ 26.40” W (Study 2), 2026Cyanotype and Van Dyke on cotton paper, unique15⅞ × 13 × ½ in (framed)$6,500

Le’Andra LeSeur — 32°22’ 59.40” N 81°11’ 26.40” W (Study 3) — Le’Andra LeSeur32°22’ 59.40” N 81°11’ 26.40” W (Study 3), 2026Cyanotype and Van Dyke on cotton paper, unique15⅞ × 13 × ½ in (framed)$6,500

Nate Lewis — Vortices 5 — Nate LewisVortices 5, 2026Hand sculpted paper, ink46 × 40 in$36,000

Nate Lewis — Choreography in Histology II — Nate LewisChoreography in Histology II, 2026Hand sculpted paper, inkjet print, ink35 × 43 in$28,000

Azikiwe Mohammed — Shift Meal at Leroy’s Luncheon #14 — Azikiwe MohammedShift Meal at Leroy’s Luncheon #14, 2023Neon, plywood, acrylic19½ × 36 × 3½ in$10,000

Azikiwe Mohammed — Stepping Into Tomorrow #20: Jordan Neely — Azikiwe MohammedStepping Into Tomorrow #20: Jordan Neely, 2024Acrylic, flashe, and gouache on board in artist’s frame27 × 21 in$10,000

Azikiwe Mohammed — Looking For Work #2 — Azikiwe MohammedLooking For Work #2, 2024Acrylic, gouache, and flashe on board30 × 38 in$12,000

Azikiwe Mohammed — Blueberry Pie — Azikiwe MohammedBlueberry Pie, 2024Oil, acrylic, gouache, flashe, and alcohol-based ink on board15¾ × 17¾ in$5,500

Azikiwe Mohammed — Angel Food Cake / Jello #4 — Azikiwe MohammedAngel Food Cake / Jello #4, 2024Oil, acrylic, gouache, flashe, and alcohol-based ink on board13⅜ × 15½ in$4,200

Azikiwe Mohammed — Stepping Into Tomorrow #24: Kohen Wiley — Azikiwe MohammedStepping Into Tomorrow #24: Kohen Wiley, 2026Glass, florists foam13 × 4 × 4 in$700

Duke Riley — Four Articles Selected for the Poly S. Tyrene Memorial Maritime Museum (Nos. 204, 419, 408, and 416) — Duke RileyFour Articles Selected for the Poly S. Tyrene Memorial Maritime Museum (Nos. 204, 419, 408, and 416), 2024Painted salvaged plastic, ink, wax16½ × 27½ × 4¾ in$40,000

Duke Riley — No. 116 of the Poly S. Tyrene Memorial Maritime Museum — Duke RileyNo. 116 of the Poly S. Tyrene Memorial Maritime Museum, 2021Painted salvaged plastic, ink, wax15¼ × 10¼ × 3 in$10,000

Permanent Collection

“ART IS A HUGE PART OF WHAT WE DO AT SHAG. IT’S THE REASON SHAG EXISTS.”

Stephanie Ingrassia, Founder

Lauren Booth, Dot Play (2020). Resin, kaleidoscopes.

Nicole Eisenman, Sketch for a Fountain (2017). Bronze, plaster, pumps, water.

Randy Polumbo, Bee Brook Grotto (2019)

Mark Mennin, site-specific stage and amphitheater (2018)

Mark Mennin, Selva (2019), granite, 12' x 12' x 34'; Bacchus (2019), onyx 2' x 2' x 6'

JR, Hand #5, Ink On Wood, France (2022), Ink on wood.

Hank Willis Thomas, Ernest and Ruth, 2015 Installation view, Travelogue, The School | Jack Shainman Gallery, Kinderhook, NY, May 20 – October 6, 2018. © Hank Willis Thomas. Courtesy of the artist and Jack Shainman Gallery, New York.

1 / 7

2023 Exhibition

For the 2023 season, SHAG collaborated with The Here and There Collective (THAT Co.) to present the art exhibition, Slow and Sweaty. The show featured works by AYDO, Antonius Bui, Dana Davenport, Hong Hong, Sareh Imani, Sara Jimenez, Umber Majeed, and Anna Ting Möller.

The exhibition included a performance series, followed by a Q&A style panel discussion with participating artists. Slow and Sweaty was curated by THAT Co's Director of Curatorial Affairs, Claire Kim.

1 / 5

2022 EXHIBITION

In 2022, SHAG partnered with K ART & Native Arts Collective to present the exhibition Indigenova, reflecting a contemporary and illuminated perspective on Indigenous artists. Artists included: Edgar Heap of Birds, Emmi Whitehorse, Erin Gingrich, Esteban Cabeza de Baca, Frank Buffalo Hyde, G. Peter Jemison, Henry Payer, Jaune Quick-to-See Smith, Julie Buffalo Head, Lewis deSoto, Robyn Tsinnajinnie, and Terran Last Gun. The presentation included a panel discussion with artist Frank Buffalo Hyde (Onandaga) moderated by exhibition curator and K Art founder Dave Kimelberg (Seneca), as well as a site-specific Native Host Sign by Edgar Heap of Birds, representing the artist’s largest activation within his Native Host series.

SHAG also continued its collaboration with the Art For Justice Fund for the third year in a row presenting programs with grantee partners Performing Statistics and People’s Paper Co-op focusing on youth and family justice and the over-incarceration of Black youth, and the resilience and creativity of Black culture.

2022 Artists

Edgar Heap of Birds

Emmi Whitehorse

Erin Gingrich

Esteban Cabeza de Baca

Frank Buffalo Hyde

G. Peter Jemison

Henry Payer

Jaune Quick-to-See Smith

Julie Buffalohead

Lewis deSoto

Luzene Hill

Nicholas Galanin

Robyn Tsinnajinnie

Terran Last Gun

2021 EXHIBITION

In 2021 SHAG partnered with the Art For Justice Fund to present the exhibition Systemic Impact: Process and Experimentation of (Formerly) Incarcerated Artists organized with curator Dr. Nicole Fleetwood and artist Jesse Krimes. The show presented never-before-seen works by artists who have been incarcerated and impacted by the US prison system: Mary Baxter, Tameca Cole, Russell Craig, James “Yaya” Hough, Asia Johnson, Jesse Krimes, Mark Loughney, Jared Owens, and Gilberto Rivera. Festival programming included panels with the Right of Return Fellowship, a national effort to support formerly incarcerated artists founded by Jesse Krimes and Russell Craig, and Worth Rises, founded by Bianca Tylek, leading efforts to dismantle the $80 billion US prison industry.